Arriflex 35 II C T/B: Techniscope format model. Uses 2-perf pulldown and half-height gate to give Anamorphic aspect ratio of 2.35:1 with normal lenses, and reduces film use by half. Used to shoot THX-1138, American Grafitti, The Good, the Bad, and the Ugly and many other features during the late 60's and early 70's.. The models II C (P + St) and II C BV (P + St) are equipped with automatic start marking and pilotone generators. ARRIFLEX 35 II C BV The variable shutter@, from 0°-165° in 15° settings, enables reduction of exposure times when shooting fast moving objects, to counteract unusually strong light or to reduce undesirable depth offield. ARRIFLEX.

Arriflex 35 II C Techniscope 2Perf Camera
Arriflex 35 II C Techniscope 2Perf Camera
Caméra Cinématographique Arriflex IIC 35 mm Antiq Photo
Caméra Cinématographique Arriflex IIC 35 mm Antiq Photo
Arriflex 35 2C from Clairmont Camera CinemaGear — Blog
Arriflex 35 2C from Clairmont Camera CinemaGear — Blog
Arriflex 35 II B Techniscope Camera
Arriflex 35 II B Techniscope Camera
Arriflex 35 II B Techniscope Camera
Arriflex 35 II B Techniscope Camera
Arriflex 35 IIc mit Angenieux 35140 und 60mMagazin Foto &
Arriflex 35 IIc mit Angenieux 35140 und 60mMagazin Foto &
Arriflex 35 II C Medical Camera
Arriflex 35 II C Medical Camera
Arriflex 35 IIC Film cameras, Movie camera, 35th
Arriflex 35 IIC Film cameras, Movie camera, 35th
Arriflex 35 II C 35mm Mirror Reflex Movie Camera, c.
Arriflex 35 II C 35mm Mirror Reflex Movie Camera, c.
Arriflex 35 II B Techniscope Camera
Arriflex 35 II B Techniscope Camera
Arriflex 35 II C Techniscope 2Perf Camera
Arriflex 35 II C Techniscope 2Perf Camera
Caméra Cinématographique Arriflex IIC 35 mm Antiq Photo
Caméra Cinématographique Arriflex IIC 35 mm Antiq Photo
Pan ARRI 35 II C
Pan ARRI 35 II C
Arriflex 35 II B Techniscope Camera
Arriflex 35 II B Techniscope Camera
Arriflex 35 IIC
Arriflex 35 IIC
Arriflex 35 II C Medical Camera
Arriflex 35 II C Medical Camera
Arriflex 35 II C Medical Camera
Arriflex 35 II C Medical Camera
Arriflex II B
Arriflex II B
Pan ARRI 35 II C
Pan ARRI 35 II C
Arriflex 35 II B Techniscope Camera
Arriflex 35 II B Techniscope Camera
Arriflex 35 II B Techniscope Camera
Arriflex 35 II B Techniscope Camera
Arriflex 35 II B Techniscope Camera
Arriflex 35 II B Techniscope Camera
Arriflex 35 II B Techniscope Camera
Arriflex 35 II B Techniscope Camera
Caméra Cinématographique Arriflex IIC 35 mm Antiq Photo
Caméra Cinématographique Arriflex IIC 35 mm Antiq Photo
Arriflex 35 II B Techniscope Camera
Arriflex 35 II B Techniscope Camera
35 Mm Movie Camera
35 Mm Movie Camera "arriflex 35 Ii B", C. 1955
Arriflex 35 II B Techniscope Camera
Arriflex 35 II B Techniscope Camera
Pan ARRI 35 II C
Pan ARRI 35 II C
Pan ARRI 35 II C
Pan ARRI 35 II C
Arriflex 35 II B Techniscope Camera
Arriflex 35 II B Techniscope Camera

The next-generation ARRIFLEX 35 II went into production in 1941; after the war it gained attention in the US for handheld, MOS, documentary and POV shots. A 35 II was used extensively on "Louisiana Story" (1948), directed by Robert Flaherty and shot by Richard Leacock, a pioneer of Direct Cinema and Cinéma Vérité.. Arriflex 35 IIC cine camera made in 1960 by Arri, Germany. The camera uses 35mm film in 200' or 400' magazines. Arri produced four models of the Arriflex 35 II between 1946 and 1964. The 35 IIC was used to film the majority of Stanley Kubrick's 'A Clockwork Orange'. The turret holds three different lenses, which could be easily switched between.